Authors and their Cats
My first cat was a black and white stray named April who joined our family on Virginia Street. I got her in the third grade for getting straight As. My mom, little brother and sister had picked me up and were excitedly exclaiming to, “look in the back!”
I looked in the back
of our blue station wagon and tucked into the right pocket was a tiny, black
and white kitten named April procured from an animal shelter.
April grew up with
me. I had her for 16 years and when I
was angry, or disappointed, happy or enchanted, there she would be sleeping or
standing or meowing right along with me.
I was 24 when my
little sister, the same sister who was there in that blue station wagon excitedly
telling me to look in the back, called me in Indianapolis telling me that I
needed to come home. I was about
forty-five minutes away.
April had not been
doing well for the past few days. And
when I got there, I knew she had been waiting for me before dying. My sister and I played Enya’s, “Only Time,”
as we gently wrapped her in a blanket and comforted her as she passed.
I did not get another
cat until years later—when I was given an orange tabby named Uncle Lour. By then, I was living in Hyde Park, a
neighborhood in Chicago, and I was a full grown writer. I had published opeds and articles by then,
had written my novella and was starting on my Arab American novel. I still turned to my cat with my joys and
disappointments, but now, as a writer, I looked to my cat for emotional support
and spiritual connection as I came in and out of the lives of my
characters.
As a writer (and a
person) who thinks a great deal and feels a great deal, it helps to have the
magical connection a cat offers. It is
an emotional connection that runs deep, much deeper than the connection I have
with most people I know.
I get angry at the
stereotypes of a woman and her cat. Sexist
comments related to being ugly, reclusive and unmarried. I chose to not marry for a long time, why,
will be a story for another reason. But
that did not mean I did not have great love in my life.
Then there is the
references to cats and women and witchcraft… going past sexism into outright
torture and murder. Even now, I hesitate
writing about my spiritual connection to my cats—I think of the burning bodies
of the powerful women before me who died for being strong, intelligent and
misunderstood but also died because of the weakness, hypocrisy and outright
hatred of women.
But it seems like
when the relationship changes to authors and their cats, authors who range in
gender-- public perception changes from sexist views to curiosity. Why are cats important to some authors?
Which
Authors Cherished Their Felines?
The curiosity about
authors and their cats even prompted a book about them—one is titled Writers and Their Cats by Alison Nastasi.
Haruki Murakami is
one such author. Author of the Norwegian
Wood, named his jazz club, Peter Cat, after one of his cats. Cats are featured in his stories.
Alice Walker, author
of The Way Forward is with a Broken Heart, cherished her cat, Frida,
named after the artist, Frida Kahlo.
Elizabeth Bishop—Born
in 1911 in Worcester, MA, Elizabeth Bishop would go on to become a renowned
poet and short story writer. Larry
Rohter in the New York Times has referred to her as, “one of the most important
American poets” of the 20th century.
She loved her cats and also went on to use cats as subject
material. One example is her book, Cat
Poems.
Why I Treasure My New
Cat, Toyen
Why I Treasure My New Cat, Toyen
Toyen
and I met during the COVID pandemic. I was very lonely in my apartment.
I was living in Chicago, doing work via zoom, and all of my family were out of state,
my friends and I agreed to not visit and we were not supposed to travel.
I
have never been a stereotypical author—reclusive, introverted,
anti-social. In fact, I am the opposite
enjoying throwing dinner parties, attending Halloween parties, dancing and
meeting lots and lots of people through my writing, traveling and interviews.
During the pandemic, I celebrated my
birthday alone, Thanksgiving alone, Christmas alone.
And then I would see a sunset-colored
cat who would approach me when I saw him.
He was so loving and the connection we had! It was as if we already knew each other. On my daily walks around the neighborhood, I
would look around, hoping to see him, and often when I got home, there he would
be coming out from the bushes that surround the front of the house.
We were not allowed to have pets but
my landlord was kind—and said it was okay.
He knew that I was having a difficult time with the isolation, and he
could see the joy my new cat gave me.
Toyen is now three. I named him after a gender-neutral Czech artist
I greatly admire. While technically I
rescued him (along with my landlord) it is he, in fact, who rescued me.
While I am an extrovert, I do need
time to write that is devoid of people.
I need that time to clear space and connect to some other dimension—a
topic I can explain in some further post.
No, I am not a witch. In fact, I
am Catholic, but I do believe in a spiritual world and I, myself, have
experienced writing stories that wrote themselves.
My cat, Toyen, is with me when I
write. His energy does not interfere
with the other kinds. So he sits next to
me on my glass writing table or sleeps on the brown couch behind me. I see him as my touchstone. When writing gets overwhelming, I stop and
get up and kiss him on his forehead or just watch him sleeping.
What writers do may seem easy—sit there
by a glass table and type away. But
writing is emotionally exhausting. I
travel when I write, I travel to 20th century France, to the
rainforests of Costa Rica. I channel a
child who has been betrayed or a wife who cannot escape her oppressive
marriage. Or channel a man who cannot
get past the suicide of his mother.
I
feel all of it and I write all of it.
Toyen is right there with me.
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